So I recently wanted to analyze the trends between how far Idol contestants made it relative to their singing ability and song freshness/creativity factor. I'll explain more in detail later, but for now, toy around with the complete set of data I made, exclude several seasons or placements, and see how the trends hold up. I'll elucidate in more detail later. The higher the placement value, song creativity factor, and the singing ability, the better.
Sunday, April 14, 2013
Thursday, March 14, 2013
AI12 ALGORITHM-BASED POWER RANKINGS, WITH EMPHASIS ON SONG CHOICE
So for the first official post of AI12, we're going to analyze the forward momentum of the contestants with a heavy emphasis on song choice/creativity. In other words, do an old song? Get docked off. Do a song that has been done a bajillion times on the Idol stage? Get docked off. Performing the song well is only one part of the equation.
Labels:
American Idol,
Creativity,
Mathematics,
Predictions,
Songs
Saturday, March 2, 2013
TOP 10 PRE-IDOL/X FACTOR MUSIC, TOP 10 POST IDOL/X FACTOR MUSIC
Tuesday, January 8, 2013
ANALYZING THE FORGOTTEN WGs OF IDOL IN EPOCH 3

So, as we've already established in Epoch 3, we've had a ton of WGWGs win. But what about the remaining WGs that were cast by the wayside? It might be constructive to see what brought the eliminations of these WGs, to see if there could be "strategic" casting of WGs in the future. Since this first occurred in Epoch 3, we'll analyze the ones found in Epoch 3. We'll only focus on the ones who got eliminated outside of the top five, because if they're in the top five, clearly the audience favors them.
Labels:
American Idol,
Analysis,
Genre,
Manipulation
Wednesday, July 4, 2012
PROGNOSTICATING IDOL'S FUTURE, BASED ON CURRENT TRENDS, PART II
Continuing the series from Part I, we now focus on how the competition (both internationally and other domestic singing competitions) have affected Idol. Hint: it's not good.
Labels:
American Idol,
Analysis,
Genre,
Marketability,
The Voice,
X Factor
Tuesday, July 3, 2012
PROGNOSTICATING IDOL'S FUTURE, BASED ON CURRENT TRENDS, PART I
So, as we've effortlessly established here, Idol is a downward slope. Their declining ratings allowed their competitors to smell blood and spawn more singing (karaoke?) competitions, both of which started in 2011 (ahem, X Factor USA and The Voice). But for Part I of this article, we'll only focus on how Idol is shooting themselves in the foot in affecting its future. In part II, we'll focus on how Idol's competitors might screw up Idol's contestant pool and contestant success in future years.
Labels:
American Idol,
Analysis,
Creativity,
Genre,
Marketability
Thursday, June 14, 2012
ELEKTROLYTES: ABDC'S PARKOUR GROUP
So, in the vein of American Ninja Warrior as seen in my previous post, I've also been keeping a close tab on America's Best Dance Crew (2nd season running watching this). First of all, a couple of thoughts: 1) It's way better than any of the so called "dance" shows out there. Primarily, it's all hip hop, which means that we aren't bored with old-styles of dancing that permeate a lot of these shows. Also, check a list of the theme weeks: Britney Spears-Flo Rida-Madonna-Drake-JLo-Pitbull-Rihanna-LMFAO-Katy Perry. Yeah, mind-numbing electropop dreck aside, isn't this the song list that Idol aspires to get? Won't it be hilarious to see a contestant cover "Club Can't Handle Me" or "Wide Awake" or "Get Right" by JLo? Contestants have handled the first before in these singing competitions, so don't think it's impossible.
Labels:
America's Best Dance Crew,
American Idol,
Analysis
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